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  › Volume 5, December 2004
Archive:
 
Volume 25, 2015
 Volume 24, 2015
 
Volume 23, 2014
 ›Volume 22, 2014
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Volume 21, 2013
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Volume 20, 2013
 ›Volume 19, 2012
 ›Volume 18, 2012
 ›Volume 17, 2011
 ›Volume 16, 2011
 ›Volume 15, 2010

 Volume 14, 2010
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Volume 13, 2009
 ›Volume 12, 2009
 ›Volume 11, 2008
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Volume 10, 2008
 ›Volume 9, 2007
 ›Volume 8, 2007

 Volume 7, 2006
 Volume 6, 2005
 Volume 5, 2004
 Volume 4, 2001
 Volume 3, 2000
 Volume 2, 1999
 Volume 1, 1999

 
 
 

 
 

Volume 25

Contents

(click on each title to read abstract or full text)


 
Editorial  
All the World’s a Page: towards a Definition of ‘Writer’ in an Age of Opportunity
SUE NORTON  
   
In Theory  
The Counter-Hegemonic Virtues of Popular Culture in Eighteenth-Century England  
DRAGOȘ IVANA  
   
American Art Criticism Between the Cultural and the Ideological (II)  
GABRIEL C. GHERASIM  
   
Remapping the Constellation of Walter Benjamin’s Allegorical Method  
JACK WONG  
   
Shadows between the Signs  
DAVID BRIAN HOWARD  
   
In Practice  
Ars Memorativa, Ars Oblivionis in Middle English Religious Plays  
ESTELLA CIOBANU  
   
Re-working Shakespeare - H. Müller's Macbeth  
MĂDĂLINA NICOLAESCU  
   
‘A Pattern for Princes to Live by’: Popery and Elizabethan History During England’s Exclusion Crisis, 1679-1681  
CHRISTOPHER PETRAKOS  
   
Experimental Language Deconstructing Patriarchal Discourse in Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf  
SILVIA MARIA TELLINI  
   
The Posthuman Body in Jennifer Egan’s “Black Box”  
AMELIA PRECUP  
   
   
Notes on Contributors  
Call for Papers  
Call for Membership  



ISSN 1841-1487 (Print)
ISSN 1841-964X (Online)

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